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Austin Municipal Auditorium - August 14, 1969

  • Includes: Train Kept a Rollin', I Can't Quit You Baby, Dazed and Confused, White Summer / Black Mountain side, You Shook Me, How Many More Times, Your Time is Gonna Come, Communication Breakdown.
srapallo's picture
on September 14, 2008 - 8:41am
Rate this show: 
Average: 4.7 (14 votes)
August 14, 1969
Austin
TX
United States
us
Setlist: 

Includes: Train Kept a Rollin', I Can't Quit You Baby, Dazed and Confused, White Summer / Black Mountain side, You Shook Me, How Many More Times, Your Time is Gonna Come, Communication Breakdown.

Note: 

According to D. Hankins, member of opening act "Flash", JPJ borrowed their Hammond B3 organ for a rare performance of Your Time Is Gonna Come.  

Press Review: Lightning Blues – Led Zeppelin Outwail Joplin

The roof is still on Municipal Auditorium… I think. When part of a usually conservative local audience moved down into the aisles Thursday night for a closer look at Led Zeppelin, I wondered. It might have been the irony of Communication Breakdown or the musicians’ controlled frenzy that gave the happening its love-in  atmosphere.

But the rock-soul  Zeppelin could have led the audience like lemmings into the ocean. Applause resounded for a virtuoso guitarist and a Joplinesque  lead singer.

Wide eyes gleamed, people swayed. They filled in those cement gaps between the seat sections. Suddenly, it seemed like we were all huddled close together on a hillside watching a pop festival. Naturalness and pleasantness prevailed.

Seldom do rock musicians let loose in every direction while maintaining undisputed authority over their vibrations. Their playing was relaxed, yet wild – a carefully executed, most exacting frenzy. Rising, falling, the four Englishmen were a threat of violence at every measure. Rarely heard vibrations, uncommonly original musicianship came in pulsating waves rather than freak strays.

Former Yardbird Jimmy Page (lead guitar) held his group together. A virtuoso himself, he yielded part of the spotlight to newcomer Robert Plant.

In Plant, Janis Joplin has found a male counterpart with twice the voltage. He sings like every cell in his slim body is crying to fly out and dissolve him into the atmosphere.

Gut-stirring soul, Charisma and something more. Most of that applause meant respect. At a rock concert? Yes. Anytime an ‘artist’ turns himself inside out for a performance. Plant poured all his energy into singing – enjoying, feeling a minute’s worth into each second. He even whipped across the stage swaying with the music.

That Hendrix art of matching whining vocal with guitar added depth to an already memorable performance. For the electric soul of Dazed & Confused, Page eased and banged a violin bow across his guitar strings, producing some of the most dynamic wave frequencies imaginable. Sounding like a berserk computer, Page played his new instrument as if a guitar naturally belonged with a violin bow.

‘White Summer’ spotlighted Page. It’s a guitar ‘Flight of the Bumblebee’ with contrasting slow-fast-slow movements to tax any excellent musician and showcase a superior one like Page.

You got the feeling you really had when Plant ground up You Shook Me. He broke through the Joplin caricature with his dynamic style. Slow, childlike echoes of “Mama, mama”, softened rasping ceiling breakers at unexpected points.

Then supposedly their last song, a fast driving scream featuring the drummer playing with his hands and a gong. The crowd wouldn’t let go of this originality. As an encore, Communication Breakdown was anything but a breakdown. Few would have disputed a claim that Led Zeppelin was plugged into the same sockets as their instruments. Or that Led Zeppelin is one of the most exciting groups of this or any year.  [C.Wynne / August 1969]

Notes: 

According to D. Hankins, member of opening act "Flash", JPJ borrowed their Hammond B3 organ for a rare performance of Your Time Is Gonna Come.  

Press Review: Lightning Blues – Led Zeppelin Outwail Joplin

The roof is still on Municipal Auditorium… I think. When part of a usually conservative local audience moved down into the aisles Thursday night for a closer look at Led Zeppelin, I wondered. It might have been the irony of Communication Breakdown or the musicians’ controlled frenzy that gave the happening its love-in  atmosphere.

But the rock-soul  Zeppelin could have led the audience like lemmings into the ocean. Applause resounded for a virtuoso guitarist and a Joplinesque  lead singer.

Wide eyes gleamed, people swayed. They filled in those cement gaps between the seat sections. Suddenly, it seemed like we were all huddled close together on a hillside watching a pop festival. Naturalness and pleasantness prevailed.

Seldom do rock musicians let loose in every direction while maintaining undisputed authority over their vibrations. Their playing was relaxed, yet wild – a carefully executed, most exacting frenzy. Rising, falling, the four Englishmen were a threat of violence at every measure. Rarely heard vibrations, uncommonly original musicianship came in pulsating waves rather than freak strays.

Former Yardbird Jimmy Page (lead guitar) held his group together. A virtuoso himself, he yielded part of the spotlight to newcomer Robert Plant.

In Plant, Janis Joplin has found a male counterpart with twice the voltage. He sings like every cell in his slim body is crying to fly out and dissolve him into the atmosphere.

Gut-stirring soul, Charisma and something more. Most of that applause meant respect. At a rock concert? Yes. Anytime an ‘artist’ turns himself inside out for a performance. Plant poured all his energy into singing – enjoying, feeling a minute’s worth into each second. He even whipped across the stage swaying with the music.

That Hendrix art of matching whining vocal with guitar added depth to an already memorable performance. For the electric soul of Dazed & Confused, Page eased and banged a violin bow across his guitar strings, producing some of the most dynamic wave frequencies imaginable. Sounding like a berserk computer, Page played his new instrument as if a guitar naturally belonged with a violin bow.

‘White Summer’ spotlighted Page. It’s a guitar ‘Flight of the Bumblebee’ with contrasting slow-fast-slow movements to tax any excellent musician and showcase a superior one like Page.

You got the feeling you really had when Plant ground up You Shook Me. He broke through the Joplin caricature with his dynamic style. Slow, childlike echoes of “Mama, mama”, softened rasping ceiling breakers at unexpected points.

Then supposedly their last song, a fast driving scream featuring the drummer playing with his hands and a gong. The crowd wouldn’t let go of this originality. As an encore, Communication Breakdown was anything but a breakdown. Few would have disputed a claim that Led Zeppelin was plugged into the same sockets as their instruments. Or that Led Zeppelin is one of the most exciting groups of this or any year.  [C.Wynne / August 1969]

Setlists: 

Includes: Train Kept a Rollin', I Can't Quit You Baby, Dazed and Confused, White Summer / Black Mountain side, You Shook Me, How Many More Times, Your Time is Gonna Come, Communication Breakdown.

Comments

Dubby Hankins's picture

We opened the show that night. I was 18. The band was called 'Flash' and I remember it like yesterday. We did a 30 minute set of original songs our guitar player (Chris Geppert) wrote followed by another local band called the 'Laughing Kind'. We carried a Hammond B3 for our set, and John Paul Jones used it on 'Your Time is Gonna Come." Chris had a recently restored Firebird V and a 200 watt Marshall head with (4) 100 watt cabinets. Jimmy Page had that perfect Les Paul- he did that thing with the violin bow and the Echoplex. I'll never forget the one conversation I had with Jimmy. He was walking by me after the show. I said, "Hey Jimmy, are you guys going to San Antonio tonight?" Jimmy said, "Yes." I said, "Can I get a ride with you?". He said," No."
Chris had better luck. (Must have been the Marshall stack) He made an appointment to sell Jimmy an original Fender P-Bass: Serial #001. True story, they met on the banks of the San Antonio River walk to show the bass. Jimmy and Robert paddled across the river on a paddle boat., looked at the bass and bought it for cash on the spot. In 1979, Chris changed his name to Christopher Cross and won 4 Grammys.

John Richey's picture

I know there is no mention of opening acts other than the comment that was posted previously. Granted it has been a long time since this show but I do vividly remember some of the details including the venue.

The sound equipment (PA, etc...) was all arranged on what I would refer to as a long cafeteria table. At one point while Zep was playing the sound went out that only affected the vocals. Robert Plant continued to sing without amplification and you could hear him througout the Austin Convention Center.

Thomas Mackey's picture

I got there after the opening act, found my seat, and waited while everyone milled around.  Eventually, the sounds of Jimmy Page tuning up came from behind the curtains... and finally, they took the stage.  No lasers, no fog machines, no malarkey, just four guys playing like they had something to prove.  And prove it they did, and then some!  I recall they played most everything from the first album, plus Jimmy's solo sit-down set for "White Summer" and "Black Mountain Side," played on the Danelectro.  I was close enough (somewhere around the 5th row?) to see Jimmy drop his pick mid-solo; since at the time he was bent over with his LP about 2" from the floor, he grabbed it back quickly while the left hand twiddled away.  Yeah, my ears were ringing for several days.  For anyone who might wonder, "Were they really that good?," I have to say- Hell yes!!!

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Comments

My first and only Zep show... by Thomas Mackey (not verified)
I was at this show! by John Richey (not verified)