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Sports Arena - September 3, 1970

  • Immigrant Song, Heartbreaker, Dazed and Confused, Bring It On Home, That's Way, Since I've Been Loving You, Organ solo / Thank You, What Is and What Should Never Be, Moby Dick, Whole Lotta Love (medley incl. Let That Boy Boogie, Roberta, Crosscut Saw, Travelling Riverside Blues, Honey Bee, Lawdy Miss Clawdy), Communication Breakdown.
srapallo's picture
on September 21, 2007 - 11:14am
Rate this show: 
Average: 4.4 (16 votes)
September 3, 1970
San Diego
CA
United States
us
Setlist: 

Immigrant Song, Heartbreaker, Dazed and Confused, Bring It On Home, That's Way, Since I've Been Loving You, Organ solo / Thank You, What Is and What Should Never Be, Moby Dick, Whole Lotta Love (medley incl. Let That Boy Boogie, Roberta, Crosscut Saw, Travelling Riverside Blues, Honey Bee, Lawdy Miss Clawdy), Communication Breakdown.

Note: 

Press Review: A Noisy Evening by Led Zeppelin

The Led Zeppelin is a well-known hard rock group whose reputation has little to do with music – or so I would judge from the ensemble’s performance last night at the Sports Arena. The show put on was a combination of the old-time religion and burlesque, but it was not essentially a musical experience.

The performance was old-time religion without a message and without a moral, although there was plenty that was physical for the congregation of young people. There was the hand clapping, the shouting, the parading in the aisles – and finally there was the self-induced frenzy that was once the trademark of some evangelical religious sects.

Led Zeppelin was a kind of burlesque, but burlesque without nudity, and certainly without leering humour that usually marks that idiom.

Robert Plant, the vocalist, and his three sideman (Jimmy Page, guitar; John Paul Jones, bass; and John Bonham drums), all knew about bumps and grinds and they knew most of the other movements and sounds with which the masters of burlesque ply their art.

Plant grunted and groaned and as a singer his most effective weapon was a screaming falsetto. He could also make sound effects that imitated the guitar and bass, but his words were virtually impossible to understand. Lucky, Led Zeppelin had no message of social or political reform.

As for the music itself, the principal expressive attribute was volume – wave after car-splitting wave of volume, I suppose it is useless to complain about the harm being done to ears of young audiences – useless particularly when the idiom is so exclusively visceral. But after the decibel fad has passed, the damage will have been done to thousands of little ear drums.

Suffice it to say that the music was so loud it made the sears shake until they felt like therapeutic vibrator chairs – literally.

The one moment that came nearest to a musical experience in the traditional sense was an organ solo by John Paul Jones. With all of the echo and electronic feedback employed in this style, there were some mildly interesting polytonal effects and Jones displayed a rather highly developed rhythmic independence among voice parts.

The young audience seemed to need the chaos, the jostling, the hypnotic rhythms and the psychodrama of it all. It did not seem to have turned out purely in anticipation of a concert and other than for a few young, apparently easily excitable young girls, it seemed a rather passive group.

Anyway, if this music is part of the new life style, it somehow makes the wrong side of 40 seem like the right side.  [by D. Dierks/Music Critic/SD Union/9-4-70]

Notes: 

Press Review: A Noisy Evening by Led Zeppelin

The Led Zeppelin is a well-known hard rock group whose reputation has little to do with music – or so I would judge from the ensemble’s performance last night at the Sports Arena. The show put on was a combination of the old-time religion and burlesque, but it was not essentially a musical experience.

The performance was old-time religion without a message and without a moral, although there was plenty that was physical for the congregation of young people. There was the hand clapping, the shouting, the parading in the aisles – and finally there was the self-induced frenzy that was once the trademark of some evangelical religious sects.

Led Zeppelin was a kind of burlesque, but burlesque without nudity, and certainly without leering humour that usually marks that idiom.

Robert Plant, the vocalist, and his three sideman (Jimmy Page, guitar; John Paul Jones, bass; and John Bonham drums), all knew about bumps and grinds and they knew most of the other movements and sounds with which the masters of burlesque ply their art.

Plant grunted and groaned and as a singer his most effective weapon was a screaming falsetto. He could also make sound effects that imitated the guitar and bass, but his words were virtually impossible to understand. Lucky, Led Zeppelin had no message of social or political reform.

As for the music itself, the principal expressive attribute was volume – wave after car-splitting wave of volume, I suppose it is useless to complain about the harm being done to ears of young audiences – useless particularly when the idiom is so exclusively visceral. But after the decibel fad has passed, the damage will have been done to thousands of little ear drums.

Suffice it to say that the music was so loud it made the sears shake until they felt like therapeutic vibrator chairs – literally.

The one moment that came nearest to a musical experience in the traditional sense was an organ solo by John Paul Jones. With all of the echo and electronic feedback employed in this style, there were some mildly interesting polytonal effects and Jones displayed a rather highly developed rhythmic independence among voice parts.

The young audience seemed to need the chaos, the jostling, the hypnotic rhythms and the psychodrama of it all. It did not seem to have turned out purely in anticipation of a concert and other than for a few young, apparently easily excitable young girls, it seemed a rather passive group.

Anyway, if this music is part of the new life style, it somehow makes the wrong side of 40 seem like the right side.  [by D. Dierks/Music Critic/SD Union/9-4-70]

Setlists: 

Immigrant Song, Heartbreaker, Dazed and Confused, Bring It On Home, That's Way, Since I've Been Loving You, Organ solo / Thank You, What Is and What Should Never Be, Moby Dick, Whole Lotta Love (medley incl. Let That Boy Boogie, Roberta, Crosscut Saw, Travelling Riverside Blues, Honey Bee, Lawdy Miss Clawdy), Communication Breakdown.

Comments

Argenteum Astrum's picture

Another excellent show from this string of dates in California! A rowdy crowd and equipment problems with Page's acoustic guitar causes the group to abandon Bron-Yr-Aur and they get right into Since I've Been Loving You. The playing at this concert, as in all during this run, is slick, exciting, and powerful! The closing medley is a long one full of obscure songs that sounds great, and a manic encore closes this show.

Thomas Ward's picture

this was my second concert I ever went to. the excitement level before the show was insane-in the parking lot and inside as well. when they opened with "Immigrent song" it was apparent to all this was truly hammer of the gods. this was a band that would take no prisioners and offer no excuses just simply the best band in the world on this given day. I remember every second of this incredible performance. when they went to an acoustic set people tolerated it and it was great but there were lots of shouts to "boogie on" and get back into their electric instruments. this crowd wanted non stop high performance rock and roll and they got it. a rowdy crowd for sure just like the other reviewer said-even though I was only 15 I did recognize some of the old tunes they played during the whole lotta love jam. During "Dazed and Confused" I remember wishing I was on acid!

Cheryl Pyle's picture

1970 i was still attending high school in san diego and saw this concert at the sports arena. what an amazing band live, thank you Led Zepplin

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